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There are many
dances under this one name but primarily it refers to the two types -
Ras Lila and Pung Cholon.
Music
and Poets:
Unique music matches the dancing – generally similar to North Indian
Hindustani music, with differences in name and presentation.
Instruments are not merely accompaniments but a central part of the
dance. The dances are basically linked with the cymbals (manjira or
kartal) and the cylindrical drum called mridang or pune.
Other instruments
are the pena, harmonium, flute, conch shell and esraj. The songs with
the dances are classical renderings by great poets like Jaydev,
Vidyapati, Chandidas, Govindadas and Jnandas. The languages used are
Sanskrit, Maithili together with Brijbhasa and others.
Dance
forms:
The various forms are Ras Lila, Pung Cholon, Nupa Cholon, Thoboi
amongst many others. The Ras Lila deals with the love of Krishna with
the gopinis or milkmaids – physical love being taken as a symbol for
spiritual desire. There are five Ras Lilas – Maha, Vasant, Kunja, Nitya
and Divya Rasas. Other Rasas deal with various incidents in the life of
Krishna like Karnabheda or piercing of the ear.
The dance is
performed in front of the temple in the nat mandap. Pung Cholon is
based upon the drum pung or mridang as a prelude to Ras Lila. Drums are
played while dancing in acrobatic style with thrilling leaps and
swirls. Other dances are the cymbal dance or Nupa Pala, the dance
between two royal lovers is Khamba Thoibi and the Maibi Dance narrating
the life and living of the Meitei people.
King Khuyoi Tompok
in the 2nd century patronized the arts and codified Manipuri dance
tradition. But history says that Manipur took the form that we know
today from the 15th century with the advent of Vaishnavism. It received
royal patronage from a succession of kings – especially King
Bhagyachandra.
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