There are many dances under this one name but primarily it refers to the two types - Ras Lila and Pung Cholon.
Music and Poets:
Unique music matches the dancing – generally similar to North Indian Hindustani music, with differences in name and presentation. Instruments are not merely accompaniments but a central part of the dance. The dances are basically linked with the cymbals (manjira or kartal) and the cylindrical drum called mridang or pune.
Other instruments are the pena, harmonium, flute, conch shell and esraj. The songs with the dances are classical renderings by great poets like Jaydev, Vidyapati, Chandidas, Govindadas and Jnandas. The languages used are Sanskrit, Maithili together with Brijbhasa and others.
Dance forms:
The various forms are Ras Lila, Pung Cholon, Nupa Cholon, Thoboi amongst many others. The Ras Lila deals with the love of Krishna with the gopinis or milkmaids – physical love being taken as a symbol for spiritual desire. There are five Ras Lilas – Maha, Vasant, Kunja, Nitya and Divya Rasas. Other Rasas deal with various incidents in the life of Krishna like Karnabheda or piercing of the ear.
The dance is performed in front of the temple in the nat mandap. Pung Cholon is based upon the drum pung or mridang as a prelude to Ras Lila. Drums are played while dancing in acrobatic style with thrilling leaps and swirls. Other dances are the cymbal dance or Nupa Pala, the dance between two royal lovers is Khamba Thoibi and the Maibi Dance narrating the life and living of the Meitei people.
King Khuyoi Tompok in the 2nd century patronized the arts and codified Manipuri dance tradition. But history says that Manipur took the form that we know today from the 15th century with the advent of Vaishnavism. It received royal patronage from a succession of kings – especially King Bhagyachandra. |